Schmucky gangsters and mob clichés provide some laughs, but the heart of the film is Gosling's portrayal of the unnamed? main character and his sweet, underplayed romance with Mulligan and her young son. Just stay the hell away from the trailer, as it reveals far too much, and again, misrepresents the film's true "feel".Driver has a tone of wry amusement at everything around it, much like Gosling's half-smirk, pivoted on the toothpick perpetually in the corner of his mouth. I think the director has managed to balance a genuine artistry with the demands of the genre in a way that is rarely, if ever, achieved. And so, I was extremely curious to see what Refn would do with the material, and whether he would be able to rein in his sometimes obtrusive style in order to allow the story more room to breathe. In that way, Valhalla's intense, slow-burning and almost dialogue-free mythic exploration of our savage past can be repackaged as a "Vlad the Viking goes to the New World" action movie.Yet both Valhalla and Bronson were highly "directed" films, revealing a very strong hand in control of the material. That Hollywood recognises and promotes to the public, resulting in trailers for Refn movies that grossly misrepresent the sophistication of the actual film.
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